Josh Selig, Little Airplane president and veteran producer, invites input on preschool TV from around the globe
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Josh Selig, Little Airplane president and veteran producer, invites input on preschool TV from around the globe
Transmedia producer Jeff Gomez shares his insights on how to build IP that can travel across the multi-platform universe
| by: | Apr 1, 2008 |
SOCK MONSTERS
Producer: Dublin, Ireland's Kavaleer Productions
Style: Animated in After Effects to make the textures of the characters' fabrics really sing on-screen
Format: 26 x seven minutes
Demo: Three to five
Budget: US$3.4 million
Status: In very early development. Kavaleer is about to begin applying for Irish funding that should kick in about 50% of the budget, and talks are underway with potential co-development partners in France and Canada to help get a two- to three-minute trailer and some scripts done in time for Cartoon Forum. The goal will be to present the project there and secure presales and distribution partners to complete the financing picture.
Delivery: Early 2010
Premise: Debunking the oft-pondered mystery of where missing socks go, this show follows along as they slip down a magical chute in the back of sock drawers around the world and end up in Sock World. This parallel universe is inhabited by a motley crew of Sock Monsters, who collect the stray socks of the world as ad-hoc body parts.
Excitement ensues in one planned episode when a strange new sock named Nyla arrives in Sock World. The Sock Monsters marvel at Nyla's see-through and light-as-a-feather nature before they gather up all their loose socks and roll them up inside her to make the biggest, most colorful Sock-Snake of all time.
THE AQUABATS
Producers: L.A.- and San Francisco-based W!LDBRAIN and The Magic Store, also out of L.A.
Style: Live action and 2-D animation
Format: Half-hour eps, the number of which will be determined by the US broadcast order.
Demo: Tweens
Budget: Although a per-episode budget has yet to be hammered out, a pilot episode W!LDBRAIN is bringing to MIPTV cost in the neighborhood of US$400,000 to produce.
Status: In development
Delivery: The project is ready to hit production as soon as a US greenlight is secured, and will be wrapped in 2009.
Premise: Yo Gabba Gabba! co-creators Christian Jacobs and Scott Schultz are behind this wacky show centering on an underground indie band that's developed a slavishly devoted cult following over the last decade. With Jacobs (a.k.a. MC Bat Commander) as the lead singer and frontman, The Aquabats have woven an elaborate mythology around themselves in which they claim to be superheroes on a quest to save the world through music. In their bizarre live shows, band members perform in matching superhero costumes and often engage in mock battles with costumed foes on-stage. And their fans, who range from two to 50, eat it up in large doses, matching the bats' costumed craziness ounce for ounce.
W!LDBRAIN's plan for capturing some of this energy on-screen calls for a variety show treatment in which live segments taped at The Aquabats' shows are interspersed with 2-D animated mini-stories and mock commercials for made-up products. Exactly how off-the-wall are we talking? In a full pilot that will be ready for MIPTV, the performing Aquabats must take down a giant tortilla that is spewing guacamole and refried beans all over the village. And in one of the animated cutaways, they drill underground and discover a wondrous city run by unicorns and other mythical creatures, who turn out to be evil and spoiling for a fight. Needless to say, W!LDBRAIN expects to draw in a healthy secondary audience of high school and college kids with this vehicle.
The concept debuted at KidScreen Summit, where the producers invited media execs to a live VIP concert. Interest from US broadcasters and the consumer products community has been extremely high, and W!LDBRAIN expects to see similar heat from the international market this month in Cannes.
POPETS TOWN
Co-producers: Toronto, Canada-based Decode Entertainment and Barcelona, Spain's Neptuno Films, in association with OLC Entertainment out of Tokyo, Japan
Style: 2-D Flash animation
Format: 52 x 11 minutes
Demo: Three to five
Budget: US$275,000 per half hour
Status: In full-blown pre-production, with scripts well underway and storyboards just begun. A gentle curriculum developed with Toopy & Binoo scribe Katherine Sandford is based around teamwork and elemental science discovery. The project is fully financed through the co-production deal and a slew of international presales (including Canal J and Disney International for the UK, Spain, Scandinavia, Italy, Australasia and Taiwan). Decode is now focusing on locking in a Canadian English-language broadcaster.
Delivery: January 2009
Premise: Based on a concept from Japanese creator Jun Ichihara that was developed by OLC into a local-market merchandise program featuring apparel and stationery/gift products, Popets Town stars a gang of critters who scoot around their Japanese mall-inspired town solving community problems.
In one story, goofy acrobatic troupe The Uki-Uki Brothers have been waiting all summer to have a backyard sleepover and perform their Uki-Uki Moon Dance. But when the night finally arrives, there's no moon in sight. Patty conducts some quick research on her Patty-puter and discovers that the moon is just hidden by the shadow of the Earth and will be back in a few days. But The Uki-Uki Brothers aren't exactly a patient bunch, so the Popets build them a tinfoil moon to dance under, and the whole town comes out to the Looney-Mooney Party to watch them perform.
ELFY FOOD
Producer: Madrid, Spain-based Ink Apache
Style: 2-D animation
Format: 52 x seven minutes
Demo: Three to seven
Budget: US$3.9 million
Status: In development
Delivery: June 2009
Premise: This high-octane toon was presented at KidScreen Summit 2008's Pitch It! competition, and came in a close second place. It's set in Elf Land, where a community of elves have always lived extraordinarily long and active lives, thanks to super-powers derived from their diet of healthy fruits and vegetables. But an ambitious evil dictator burns all the crops in a bid to make the elves too weak to fight his takeover plot, and their survival hangs in the balance as a group of youngsters sets out on a quest to find secret and well-guarded stores of elfy food hidden in the land's most uncharted corners. With ogres and baddies hot on their trail, the elflings must dip into their precious booty from time to time to power-up and escape capture.